In the summer of 1998, I talked with Roadside Monument bassist Jonathon Ford about his band’s recent album, Eight Hours Away From Being a Man. Roadside Monument’s albums came out during a period in the late 1990s when Seattle label Tooth & Nail began working with artists who appealed to a crowd outside of said label’s relatively Christian audience. Seattle’s Roadside Monument were a fantastically good postpunk band, equally capable of playing bliss-inducing instrumental numbers as they were heading into more chaotic, jarring territory.
Also, this interview was briefly interrupted by my parents’ beagles losing their shit, so there’s that.
After this interview, Roadside Monument released one more album, I Am the Day of Current Taste, before breaking up. Ford’s current musical project is the long-running instrumental group Unwed Sailor. I also have no idea what happened with the split with Ativin discussed here, save that Secretly Canadian’s description for Ativin’s 1999 album Summing the Approach alludes to it not happening/existing.
This interview first appeared in Eventide‘s fourth issue.